Why to Go and See Stomp the Musical
The phrase stomp initially began with two buskers entertaining the streets of Brighton, UK with audio, their catchy performance hooking in bystaders to stop, view, and listen. Created by Steven McNichols and Luke Cresswell in Brighton, UK, the music STOMP debuted within the Orpheum Theatre in February 1994. The music STOMP can also track a few of its roots to Booth Theatres erected at the Village Fairs within the Middle Ages and Renaissance period- an old custom in that age. As opposed to any other music, STOMP pushes the idea of what constitutes music. Eight nightly performers play simple and complex rhythms from everyday things, such as six foot poles, sand, brooms, lids, litres of water, and aluminum bins. Through dance and music, the group collaborates with each other to play audio, too as providing individual self-expression. STOMP is really a sensual mix of comedy, percussion, and dynamic movements. The musical STOMP is the unique creation of Steven McNichols and Luke Cresswell that captalizes on a ‘less is more’ idea. It’s a passionate production, not easily classified into a specific music or theatrical style. Through the absence of melodies, the audience listens to music obtaining broken down into basics as eight chiseled and dynamic performers pound out rhythms with regular things: poles, drumsticks, match boxes, water, brooms, bins, and lids. Ironically, the common high quality of these items catapults STOMP to an artistic level unmatched by some other modern theatrical acts. The ease in which the cast manipulates their ‘instruments’ and body stretches the imagination into a thrilling reality. It’s set design is flashy and colorful at times; a more elaborate metal construction demonstrates instruments which are struck by performers harnessed from the ceiling. This restriction frees the cast to use their feet, legs, and arms to produce loud group rhythms that shake the rafters and audience with it’s intense, tribal rhythms. These in-your-face cadences are a potent avenue for person and collective expression, leaving many on the edge of their seats. STOMP’s absence of fancy performer clothes keeps the emphasis on what really counts: dance moves and musical rhythms, which become much more complicated with every subsequent scene. Subtlety is also used to balance out these raw rhythms.One scene is focused around performers tapping six foot poles, as they stealthily circle the stage, almost preying on one another with their moves and rhythms. Their sense of interconnection is palpable and sensual, cast eye contact igniting the expectation, as you almost find yourself asking yourself who is going to ‘win’ at this musical game. Yet, everybody wins, the audience even asked into the overall performance through a cast member who initiates a clap-and-response session. Around two hours in duration, STOMP keeps one’s attention, making you wonder how items generally reserved for math problems, cleaning, and construction projects can entertain and create a powerful musical group dynamic. In this age of modern technology, STOMP is really a refreshing blend of primal instincts meeting musical genious, reminding us of the musical and rhythmic potential correct under our noses. Discover more info about the musical and buyStomp Tickets online